Learn the piano or something." By the time the family moved to Chicago, the impressionist had become a pianist. After sitting through young Julie's renditions of "She's My Daisy" and "Roamin' in the Gloamin'", the great Scot gave him some advice: "When you do impressions, you're never anyone in your own right. At the Hippodrome, he got to do his Harry Lauder routine before Sir Harry himself. He was a child impressionist on the London stage before the First World War. He was a Londoner, a poor boy born Julius Stein, though he seems never to have been called anything but "Julie". And as he was at pains to emphasize: "Without the rendition there is no song." "I've been very fortunate in having my songs sung by the greatest male singer and the greatest female singer," he said, referring to his former flatmate (Sinatra) and a funny girl he helped make a star (Streisand). Besides, people who need people are the luckiest people in the world, and Styne never forgot which people composers need. Styne never wasted his time with false modesty - in the Seventies, he announced he was America's greatest living composer - but his ego was so lightly worn it was rather endearing. With a Styne tape, half the essential words came pre-removed, as an ever more emphatic composer galloped on to his next big point, skipping two out of every five words before concluding triumphantly (as he once did to me after a complicated effusion on arrangers): "So them becoming that didn't become that!" I had a radio producer who hated it whenever I brought him an interview with Jule Styne: Most radio editing involves removing extraneous words. His lyricists on "The Party's Over" and "Make Someone Happy", Betty Comden and Adolph Green, considered it a language all its own: Stynese. And, even when he wasn't yelling, his mind tumbled along faster than the words could keep up, so that his speech often omitted key verbs and nouns. He yelled at Sinatra, which would cause occasional half-decade ruptures in their relationship. He yelled at Jerome Robbins and Ethel Merman on Gypsy, he yelled at Streisand at Funny Girl. I remember it shaking when he waved his arms around and yelled, to make some point or other. I noticed he wore a gold identity bracelet, and he showed me the inscription on the inside: "To Jule, who knew me when, Frankie" - a gift from Sinatra delivered to a bleary Styne by a courier from Cartier's the morning after the singer's spectacular solo debut at the Paramount Theatre in 1942. The first time I met Styne was at his office up the dingy stage-door stairs above the Mark Hellinger Theatre on Broadway. I knew Jule Styne somewhat, and Sammy Cahn rather better: He was very generous to me, and opened a lot of doors. Sometimes it pays to be counter-intuitive: The following winter, on the chilliest of days, Styne & Cahn wrote "The Things We Did Last Summer". But Jule said, 'Let's go write a winter song.'" That being so, he continued, "I wanted to go to the beach and cool off. Styne & Cahn were sitting in the offices of the Edwin Morris music publishing company on what Sammy told me was "one of the hottest days in the history of Los Angeles". It didn't seem that smart a move in July 1945. But even for songwriters that successful, a lasting seasonal hit is an insurance policy that never stops paying out the "Yuletide gravy", as Variety called it. Styne was a blockbuster Broadway composer of the post-war era - Gentlemen Prefer Blondes, Gypsy, Funny Girl - and Cahn wrote the lyrics that re-defined the post-bobby-sox Sinatra as a ring-a-ding-ding swinger: "The Tender Trap", "Come Fly with Me", "My Kind of Town". The men who wrote it are no strangers to these parts: Jule Styne and Sammy Cahn.
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I basically told him that I wanted to go talk to her anyway, so I would bring her the drink. He wanted to take it himself, and then he said, "Maybe she'll let me give her a hug." I thought to myself, "No way - that's creepy." I wasn't going to let him do it. If you’re a newbie to the Vegas pool party scene, don’t sweat itwe’ve put together a little insider’s guide to help you make the most of your daylife experience. I offered to take it to her on his behalf. Recently, one guy wanted to buy another cart girl a drink, but she had already moved on to another hole. There are still regular pools, but the pool parties have bumpin’ music and a line to get in, just like the clubs. Speaking of night spots, the Vegas club scene has expanded into the day time with pool parties during the warmer months. Unfortunately, sometimes the attention goes too far Vegas Daylife & Pool Parties Daylife, Dayclubs in Las Vegas. How's their new associate going to feel if they see you go for cheap liquor versus top shelf? Not to mention that the guy paying may feel quite stupid if he scrimps on a $4 difference. If they want to buy their new business partner a drink, unless they specifically ask for low-cost liquor, give them the good stuff. 31, 2014 /PRNewswire/ - Wynn Las Vegas daylife and nightlife venues will diversify in the year ahead by adding a variety of styles and artistry to residencies at Encore Beach Club. They're most likely using a company card, and they're going to write it off anyway, so don't be afraid to contribute to that experience. It often indicates a user profile.īusinessmen come here to flex - and they come ready to spend. Dodge owners, fans and enthusiasts will learn how the epic stunt came to life at Las Vegas Motor Speedway on March 20, 2023, and hear from Dodge executives, including Dodge CEO Tim Kuniskis, the. These Las Vegas Limousine Packages are designed to keep you and your group entertained all day and all night long So dont forget, our Las Vegas Limousines will suit your every need. Account icon An icon in the shape of a person's head and shoulders. Be sure to check out our Las Vegas DayLife Packages and our Las Vegas NightLife Packages also. It’s making one of the disks look like it’s getting darker, when really it’s not. However, the Tse illusion demonstrates that attention doesn’t always help us gain more knowledge, but that sometimes it can distort our perception of the world. You’re more likely to solve a maths problem correctly if you pay a lot of attention to what you’re doing. Of course, no one would deny that paying attention to something often helps us to gain knowledge. Paying attention to an object can make it appear more vivid than objects that we don’t pay attention to He argued that ‘So long as we attend to a truth which we perceive very clearly, we cannot doubt it.’ Descartes’s thought is a pretty strong version of the same idea that’s part of common sense – that paying attention to something is a good means of gaining knowledge about it. The 17th-century French philosopher René Descartes is renowned for his search for knowledge beyond all doubt, and attention plays an important role in this search. It also has a long history in epistemology (the philosophical study of knowledge). On this common-sense idea, attention is a path to knowledge.īut the idea that attention is a path to knowledge isn’t just part of common sense. If you want to know more about something, you should pay attention to it and, when your attention slips, you’ll make mistakes. We usually think that paying attention to something is a good way of getting knowledge about it. But, really, it challenges some of our most deeply held assumptions about the role of attention in our mental lives. The Tse illusion might initially appear to be just an interesting novelty. Attention seems to be one factor influencing this interpretation, but unfortunately it’s still not clear why this would cause a change in the brightness of one circle. The visual system then tries to work out which disk is lying ‘on top’ of the others. This causes the visual system to interpret the circles as a series of semi-transparent disks. Why does this happen? It seems to be connected to the fact that the circles partially overlap one another, against a light background (if the circles are placed on a black background, the illusion doesn’t happen). My attention is merely making it look as though they are. It was as though my attention was reaching out into the world and changing the brightness of objects out there. I vividly remember first seeing this illusion at a conference about attention. This might take a bit of practice (we’re not generally used to paying attention to something that we’re not focusing our eyes on), but you’ll find that the circle you pay attention to gets darker than the others. Keeping your eyes focused there, allow your attention to roam over the large circles that surround that dot. My favourite visual illusion is the Tse illusion below, named after the American neuroscientist Peter Ulric Tse.įocus your eyes on the white dot in the middle of this image. They force us to think: what must the brain be like, in order to get that particular thing wrong? What processing is going on, which results in that error, rather than any other? These mistakes provide us with tantalising glimpses into the secret workings of the visual system. Visual illusions are cases where the visual system has made a mistake, and as a result we see the world not as it really is. Illusions represent a valuable way to do this. One challenge for psychologists, philosophers and neuroscientists is to find ways of unpicking how this unconscious processing works. Almost all of the work goes on entirely unconsciously, inaccessible to our own conscious minds. Of course, we’re not privy to all of this processing. The impression I get of the outside world (the grass, the café, the hospital) is a very distant descendent of the information that first entered my eyes. My eyes register information about light, and that information is processed in several different systems located throughout my brain, before showing up in my visual consciousness. In reality, the conscious view I have of the world is the end result of an immense level of computation. This is all so effortless, that it’s easy to think of seeing as a straightforward process. This all happens with ease: I just open my eyes and there it all is, apparently instantaneously. My visual consciousness represents a rich collection of objects, shapes, and colours. In the distance, I see a large hospital blurring into the horizon. When I open my eyes, I see a long stretch of grass, terminating in an unoccupied café, with chairs and tables stacked neatly by the door. Drawing on mythic and biblical imagery, we suggest the apocalypse of the modern world-system will be accompanied by widespread transformations of collective consciousness - a Planetary Awakening of Unique Self Symphonies. Engaging in concrete utopian theorizing we suggest that tomorrow's world will involve certain widespread "social miracles" - making enlightenment an everyday thing. The process of replacing the modern world-system involves the widespread democratization of enlightenment. From Teilhard de Chardin to Process Theology, a divinely inspired turning point in Earth's evolution has been argued to be immanent. Esoteric religion and mystical traditions have also located our era at the heart of a world-transformation. Leaders in this field have charted long-term limits and end games, placing our current era in the heart of the modern world-system's epochal and final crises. World-systems analysis is a trans-disciplinary field focused on the evolution and future of the modern world. Two narratives about the nature of our current historical moment are brought together in the interest of provoking a reconsideration of "collective enlightenment," or what we term the democratization of enlightenment. LIPTON, An Introduction to Conscious Evolution: a Theory we Can Thrive With How to Facilitate all of us to Come Together as We the People BRUCE H. NELSON, Shifting Global Consciousness to Global Awareness ERIC REYNOLDS, Next Stage Organizations ALFONSO MONTUORI, The Evolution of Creativity and the Creativity of Evolution GEOFF FITCH, Truthfulness and Collective Enlightenment CHARLES JOHNSTON, Bringing Wisdom to the Future: Creative Systems Theory’s Concept of “Cultural Maturity” JIM ROUGH, The ToBe Project. STEWART, Enlightenment and the Evolution of the Material World FRED MATSER, My Process of De-veloping Awareness: From a Finite Understanding towards Glimpses of Infinity GREGORY WILPERT, Consciousness for the Post-Capitalist Commons: A Developmental Psychological Perspective ROGER D. KARAGYOZOVA, Collective Enlightenment – The Ascent JOHN E. SUSANNE COOK-GREUTER, Letter to the Editor Editorial - SAHLAN MOMO, Benighted, Enlightened, and Delighted Interview - JOANNA MACY, Learning to See in the Darkness amid Catastrophe ERVIN LÁSZLÓ, The Evolution of our Consciousness Is the Enlightenment of Humanity DUANE ELGIN, Humanity’s Journey Home: We are Learning to Live in a Living Universe GEORGE PÓR, On the Verge of Collective Awakening PETER RUSSELL, Blind Spot: The Unforeseen End of Accelerating Change DEEPAK CHOPRA, A Critical Issue: What to do when Darkness Rises? TOM ATLEE ~ ROSA ZUBIZARRETA, The Embodiment of Wholeness in our Social Order: Our Evolutionary Challenge as Humans TERRI O’FALLON, The Integration of Awareness with the Individual and the Collective ALLAN COMBS, Collective Enlightenment RICHARD BARRETT, The Ego-Soul Dynamics of Enlightenment THOMAS HÜBL ~ JULIE JORDAN AVRITT, Toward the Integration of Collective Trauma in a Time of Exponential Change MICHEL BAUWENS ~ EDWARD BERGE, Collective Enlightenment through Postmetaphysical Eyes ZACHARY STEIN ~ MARC GAFNI, The Apocalypse of the Modern World-System & Related Possibilities for Democratizing Enlightenment MARIYA K. Twenty-five insights on the state of the art of Consciousness and Enlightenment studies, (ed. See? Even in times of crisis, my man-sword is as sharp as a witch's Oh ho ho! A pity we couldn't grind the whetstone one last time, my lady! Decadus clearly must have filled out the wrong forms for disciple Angel and Intoner assignment during his job application process. So did you know the Armisael could create magical bonds on people? Well, they can. Maybe you could have pulled that tech out during the lasts ten minutes Zero had been batting you around, eh?Īnd here I thought the Rave Dolls might be left out of the Branch A boss fight heel-face turn reunion party. I think deployable bubble shields are a new thing. I mean there's been plenty of stationary glyph shields. So did any of the Intoner sisters pull a bubble shield out of the ever expanding toolbox of Intoner Song tricks? It's hard to keep it all straight. I'll erase this entry and hand the recording off to the next pass in its current state.Īs soon as Accord is done with her somewhat out of place narration, it is just a matter of landing a few additional hits on One to end this battle once and for all.Įxcept for everything that's coming next in the Cutscene Zone ! Which will probably last longer than the actual gameplay fight. I think at least one of them might be able to accomplish it. Some of us are of the opinion that this branch should be sealed off at once, but I disagree. If the flower isn't destroyed, mankind has no future in this branch. But soon, they gained self-awareness and began to act of their own free will. At first, they were simply corpses controlled by the flower. The flower's defenses created five sisters from Zero's body. Did I really end up LPing another game that has daughter/clones as a plot point in a story about alternate timelines/dimensions and heavily featuring the involvement of dragons? This IS really Chrono Cross all over again. Zero just needs to stay alive and keep smacking around her sister/daughter/clone until the next part completes. A second phase of the battle kicks in once One's health drops below around 66% total. Indeed, this fight doesn't even require Zero to fully deplete One's health. I don't even think they buffed her stats at all to account for Zero having leveled at least another eight missions between the two fights. There's no new tricks or power-ups for One. Yeah, it's just a copy and pasted battle. Octa is here now and on occasion will confuse One's AI causing her to waste time attacking our invincible but ineffectual disciple.Here's how this differs from the previous time we fought One back in Branch C: So it's once more a ground battle against One and her chakram. I will never forgive you! Now DIE! Die, die, die, DIIIIIIE! You should talk! You gave birth to this curse! Whether we have the same goal or not, I swear by my murdered sisters' souls. Like I can trust you? I have to do this myself! I can eradicate the Intoners as easily as you can! Not a single burning atmosphere or expressionist nightmare hellscape cloud in sight. We've just got to kill One and call it a day. No need to get fancy now with flashy mission parameters or gimmicks. We're sticking to the basics with mission objectives. Even if it was the best boss battle music.) New Music: Thirteenth Chapter Chaotic Song ~ Drakengard 3 DLC Version (C'mon One, don't be lazy and steal Four's Boss track. Part 115: Episode LXXXVIII: In Which There is One Final Battle Episode LXXXVIII: In Which There is One Final Battle And we'd like for our gray scale image to retain variations in brightness of the original image, so it won't just be black and white. We know that what makes a color a shade of gray, is that each of the red, green, and blue values is equal to the others. The first four steps in writing a program are to devise an algorithm. The global variable set or assigned a value and upload and accessed or modified in makeGray to create the gray scale version of the image. We'll see that a global variable for an uploaded image can be accessed in the function upload, and also in the function makeGray. A global variable can be accessed in all functions, because it's defined outside of any of these, that's what makes it global. This will require a new programming concept, global variables. We'll need to access the uploaded image in this function makeGray. The button that we create will call a JavaScript function named makeGray, using the standard on click event handler. Extending a working web page continues what we did earlier with the prototype webpage before we introduced the HTML file input type. We'll fork it, and we'll add a button to create the grayscale webpage that takes an image, like the waterfall on the left, and converts it into a gray scale version as shown on the right. We'll start with a code pen webpage that already has functionality to upload an image. Let's look at creating a grayscale version of an image. We'll use these same concepts of modifying pixels to create interactive web pages that use this simple image library. You also saw how to modify all pixels of an image as part of creating a new image that was a green screen composite of two images. For example, you changed different parts of an image to create stripes, so that part of the image was red, part was blue, and more. In the foundational programming lessons, you modified pixels in an image. Let's look at changing a simple image programmatically using the same concepts you used in the previous module. ** Hook into the DOMContentLoaded event to run our code */ĭocument.Hi. We’ll start by making sure our code runs once the DOM is ready (vanilla JavaScript’s equivalent of jQuery’s ready() function): detect if there are enough slides to display pagination buttons.have our slider adapt itself to the space available automatically, and.Now that we have everything in place, it’s time to make our image slider work. This is important so don’t miss this step or else our Vanilla JavaScrip slider won’t work at all (see the source code of the Vanilla JavaScript Slider demo page for reference).ĭone? Great, let’s continue then! Bringing our Slider to life with JavaScript We won’t be doing that of course, instead we are going to use vanilla JavaScript -that’s the point of this post after all, haha- so once you’re done get back here to continue this (rather short) tutorial.Īlso, you’ll need to update the CSS rules and change all #jquery- strings into #js. If you haven’t done so already, please go check the how to create a simple image slider with jQuery tutorial first and make sure you follow all the steps up to the point where we incorporate jQuery. Let’s revisit the how to create a simple image slider with jQuery tutorial except this time we’ll build our image slider using vanilla JavaScript only, removing the jQuery dependency.
You do not need to be root in order to access it, but writing to it might be a different story.Īlso, not sure if there is any other files that act the same on a linux based OS, but at any rate we can always check all of those files.Īny suggestions on improving this are welcome.Īlso the app called "Ad Free android" needs root access, meaning that it most likely changes the hosts file in order to achieve its goal. Ad-blocking for your Android View on GitHub Get it on F-Droid Open Source & Free Software AdAway is fully open and licensed under GPLv3+. Sign up for Twitch Turbo to block ads on every channel. How do I block Twitch ads Subscribe to a channel to block ads on Twitch. In the app, tap the three-dot menu > Block user > Block. I vow that all ad supported apps should check this file. How do I block YouTube channels To block a channel on YouTube, go to the channel's About page and select the Flag icon > Block User > Submit. In = new BufferedReader(new InputStreamReader( Here is a code snippet of how I achieve that: BufferedReader in = null What I do in my apps is check this host file and look for any admob entries, if I find any I notify the user that I've detected ad blocking and tell them to remove admob entries from there and do't allow them use of the app.Īfter all what good does it do me if they're not seeing ads? No point in letting them use the app for free. 2 Images Open Pop-ups and redirects and enable the toggle. 17 Best ad blockers for Android as of 2023 - Slant Android What are the best ad blockers for Android 18 Options Considered 373 User Recs. So make sure you trust the operator of the VPN you choose. While a VPN is active, all of your data passes through it, including from email, apps, and websites. AdBlock is one of the most popular ad blockers worldwide with more than 60 million users on Chrome, Safari, Firefox, Edge as well as Android. Tap the three-dot menu in the upper-right corner and open Settings. To enable the ad blocker, download and launch AdShield, turn on the AdShield Enabled toggle, and watch a video on YouTube. Now anytime a process tries to resolve the above addresses they are routed to the address listed to the left of them (localhost) in this case. Open Google Chrome on your Android phone. For android this is located in the "etc/hosts" file.įor example, I use admob ads and a host file that I have taken from custom rom lists the folowing admob entries: 127.0.0.1 Improve Privacy Block trackers and stop advertisers from following you online. Block Ads Say goodbye to ads on Facebook, YouTube, and across the web. Best Pop-up and AdBlocker Apps for Android 1) CM Browser A standalone browser for adblocking, CM Browser offers a comprehensive experience in terms of ads and pop ups blocking. I am aware of one way that ad blocking works (on any computer really), they edit the hosts file to point to localhost for all known ad servers. The best ad blocker for your Android phone AdBlock for Samsung Internet filters out intrusive ads and trackers, using the same filter lists we use to block ads in Chrome, Safari, and other browsers. Run and jump through SuperTux, the sidescrolling 2D platformer starring Tux, the Linux mascot. You can also follow any of our social media links for regular updates and showcases of features!” IRC for the real ones: #supertux on LiberaChat If you want to get involved in the community: “The community IS the fueling force of SuperTux! Not only can you see what we develop almost in real time, you can also participate and develop the features you want to see in SuperTux! How are you planning on involving the Community in your development process? The Steam version won't be an exception.” SuperTux is a free and open-source two-dimensional platform video game published under the GNU General Public License. “SuperTux is 100% free and will always be. Will the game be priced differently during and after Early Access? Most general features (like the level editor) are present, but they are planned to be improved over time.” The SuperTux team is excited to announce the availability of the stable release 0.6.0 after almost two years of development. “The Story mode is currently roughly halfway done. The SuperTux team is excited to announce the availability of the stable release 0.6.0 after almost two years of development. SuperTux is a open-source classic 2D jumpn run sidescroller game in a style similar to the original Super Mario games. Run and jump through multiple worlds, fighting off enemies by jumping on them, bumping them from below or tossing objects at them, grabbing power-ups and other stuff on the way. What is the current state of the Early Access version? SuperTux Classic 2D jump'n'run sidescroller featuring Tux the penguin. Of course, along the way it's possible that we develop some more features. “The main goal that must be achieved before calling SuperTux full and complete is to finish the Story Mode, which for the moment includes only two worlds. The default key is (the one with the on it) or on German keyboard layout). The key assigned to opening the console can be changed in the keyboard setup as soon it is activated. To do so, you will have to start SuperTux in Developer Mode. How is the full version planned to differ from the Early Access version? To review old messages and enter commands, the console needs to be activated. If everything goes smoothly, with the workforce we currently have, we expect to finish the game around 2025.” “It really depends on how many people contribute over time. This is a community-driven game, and anyone who would like to help and participate is welcome to do so!”Īpproximately how long will this game be in Early Access? SuperTux is a classic 2D jumpn run sidescroller game in a style similar to the original Super Mario games covered under the GPL. “The game isn't yet complete, but is in a very playable and enjoyable state already. did Bey almost let slip the identity of 'Becky With The Good Hair'? Yep, we think she almost did. He references Michael Jackson's 'Billie Jean', a track which sees the singer deny claims that he's the father of a woman's child.īeyoncé ('LOVEHAPPY') - "Lucky I ain't kill you when I met that b- (Nah, aight, aight)” Jay is addressing the ongoing rumours that he has an illegitimate son. Jay-Z ('HEARD ABOUT US') - "For the thousandth time, the kid ain’t mine / Online they call me Dad, kiddingly / You’re not supposed to take this dad thing literally.” Here, he's making it clear that his music does the talking for itself.īeyoncé ('BOSS') - "My great, great, grandchildren already rich / That's a lot of brown children on your Forbes list.”Īs one of the most successful female artists in the world - and frequently ranked by Forbes themselves - Bey appears confident that the heirs to the Carter dynasty are set to head the same way. MP3 songs & lyrics to express your passion or to sing it out loud. Jay Z was nominated for eight awards at the 2018 Grammy Awards for his album '4:44', but walked away empty-handed on the night. Play & Download HEARD ABOUT US MP3 Song for FREE by The Carters from the album. Note: When you embed the widget in your site, it will match your site's styles (CSS).Jay-Z ('APESH*T') - "Tell the Grammys f*** that 0 for 8 s**t / Have you ever seen the crowd goin' apes**t?” Get the embed code The Carters - EVERYTHING IS LOVE Album **T3.APESH*T4.APESHIT5.BLACK ABOUT Carters Lyrics provided by Put hoes in their place, bitch stay in your lane Authoritative information about the hymn text I Heard the Voice of Jesus Say, with lyrics, PDF files, printable scores, MIDI files, audio recordings. Pain comes with penthouse views, ain't it?īitch know me, I been me since the cocaineīitch know B, she don't even need a whole nameĪnd if you don't know now you know, nigga Your every move is on the news, ain't it? That's too famous, we don't even really do famous You're not supposed to take this dad thing literally Put hoes in their place, bitch, stay in your laneįor the thousandth time, the kid ain't mine Your every move is on the news, aint it Sht has its perks too, aint it Shootin videos in. He smoke and we drink, D'USSÉ to the face (yeah) Go to Cuba then Aruba in the middle of the winter (skrt, skrt) “ Tell Me What You See,” Help! (1965)Ī highly derivative track shoved onto the second non-soundtrack side of the record from the band’s second movie.ĭoggerel from Lennon. Probably the worst of Lennon and McCartney’s early efforts. Docked eight notches for Lennon’s final spoken line, “And now we’d like to do ‘Hark the Angels Come,’” which on the record sounds like a swipe at the next track, “Let It Be,” a song that is tuneful and about something, unlike “Dig It.” McCartney sometimes produced schlock, but rarely work as annoying as this.Ģ11. And it ruins Revolver, otherwise the most consistent and mind-blowing collection of pop-rock songs ever conceived by man.Īs Lennon himself put it, this is what you get when you’re stoned all the time and don’t give a shit. It’s the worst song in the Beatles’ classic period. McCartney’s piano playing, which graced so many Beatles songs, right up to “A Day in the Life,” is a parody of itself. It could have been “Yum Food Delicious,” or “Hot Sex Baby,” or any other three random words McCartney took out of his Young Man’s Collection of Positive Synonyms - and note that of these three choices McCartney chose the blandest. Even by McCartney standards (“Getting Better,” “Hello Goodbye”) the title is inane. Paul McCartney was welcome to write all the happy, upbeat, cheery-cheery songs he wanted. They didn’t fuss about it it’s what they wanted to do. Through the confusion and the chaos, the pain and the self-questioning, they worked to create a joyous sound. Please let me know if I conflated any facts or misrepresented anything in the comments section below, or publicly humiliate me on Twitter everything else, the Beatles were the biggest cultural story of the modern era, and they were, in the end, pop, if pop is music that makes people happy. I am indebted to Beatles super-scholar Mark Lewisohn for his many detailed books on the band, most important The Beatles: Recording Sessions Bob Spitz’s close-to-definitive The Beatles engineer Geoff Emerick’s memoir, Here, There, and Everywhere and the engrossing podcast Something About the Beatles, hosted by Briton Richard Buskin and American Robert Rodriguez. Try ‘em with real speakers, not headphones. This doesn’t get said enough: These songs were specifically designed to pack their punch at high volume. I use the songs on those releases to create this ranking, with some ephemera (like the German versions of “She Loves You” and “I Want to Hold Your Hand,” or George Martin’s Yellow Submarine orchestrations) ignored, with a few other interesting tracks that have dribbled out over the decades added in. They are duly noted below most sound like the appreciative efforts of a young and not-quite-formed band the Beatles being the Beatles, however, a few are transcendent. The Beatles based their sound largely on American R&B, and they, like their compatriots in the Rolling Stones and the Yardbirds, filled their early records with covers of their favorite tracks. The songs the band released in the 1960s that were not on their studio albums were eventually consolidated in a catchall collection dubbed, quite lamely, Past Masters. were a similar mishmash, but from Revolver onward, with minor exceptions, the studio-album releases, at least, were standardized. EMI also released a number of four-song EPs in Britain, particularly early on, but only one of them, Long Tall Sally, contained songs not available in other forms. There was also a flurry of non-album singles throughout those years, collected in different ways in the U.K. The so-called “White Album,” The Beatles, was a two-record set. in the 1960s, the group released 13 official studio albums, including the A Hard Day’s Night, Help!, and Yellow Submarine quasi-soundtrack albums. The list is based on the band’s British releases, which is how they thought of their work. It turns out that ranking the songs recorded by the Beatles in the 1960s is easy you put the worst one at the top, and the best one at the bottom. And the only way to do that, given the weight of the Beatles’ presence, is to take a look at everything the band put on record over its eight-year recording career. But Pepper’s doesn’t make sense if it’s not put in context. Pepper’s Lonely Hearts Club Band, the most acclaimed rock album ever and the apogee of the Beatles’ cultural influence in the 1960s, is a time for all those chestnuts and more. “It was 25/30/40 years ago today!” “The act you’ve known for all these years!” “A splendid time was guaranteed for all!” Last week’s 50th anniversary of the U.S. At Beatles anniversary time, the stories write themselves. |